Piero della Francesca (c.1413-92) is one of the most intriguing artists of the early Italian Renaissance, known not only for the balance of his compositions and the emotional coolness of his style, but also for his outstanding talent as a mathematician. Taking advantage of documentary evidence that has emerged, particularly since the quincentenary of the artist's death in 1992, Piero scholar Marilyn Aronberg Lavin covers all aspects of the career of an artist who can justifiably be called a Renaissance Man.
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